Ed Natiya

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Work by Ed Natiya. “Ed is one of the best sculptors in the West,” says gallery managing partner Keith Huey. “As a fan of Baroque and Renaissance work, he pays a lot of attention to how the human form moves. No one compares.” Adds Natiya, “My aim is to create what I like to call ‘a speaking likeness,’ to pull out of my subjects emotional and spiritual aspects that make a piece come to life.”
Work by Ed Natiya. Ed Natiya, Navajo, from Albuquerque got the best sculpture award with this piece.
Ed Natiya. Navajo artist and sculptor, Ed Natiya Saxon, comes from a very proud and noble heritage. His Navajo name, Natiya, was given to him at birth and means 'everywhere; all over; at once'.

Ed Natiya

Art openings are known for lively conversations among those attending, usually centering on which pieces they like and which they’d purchase. But some of the discussions at the August 22 opening reception for Navajo sculptor Ed Natiya’s latest works at Hueys Fine Art in Santa Fe may touch on deeper subjects. Consider, for example, the response to his clay maquette for WAR PONY, the artist’s soon-to-be-cast, limited-edition bronze depiction of Sioux Chief Sitting Bull, portrayed in his full traditional regalia anachronistically astride a classic 1951 Indian-brand motorcycle emblazoned with the battle symbols that Indian warriors usually painted on their steeds.

“People are always asking me what I think about naming football teams”—and other brands, for that matter—“after Native Americans,” says Natiya, who’ll be present at the opening. “I’m not here to judge either side of the discussion. I’m just bringing up this conversation in a unique and whimsical way that also has deeper tones to it and leaving it open to viewers’ interpretation,” he says.

That issue is likely to be debated among viewers of his show, which is timed for the weekend of Santa Fe’s 93rd annual Indian Market. What isn’t in doubt, however, is the serious talent Natiya brings to the approximately 30 sculptures on display, portraying a wide range of mostly noncontroversial subjects. These include wildlife, some whimsical pieces, and historical figures like the recently completed QUANAH, a powerfully serious-looking bust of the Comanche Chief Quanah Parker.

“Ed is one of the best sculptors in the West,” says gallery managing partner Keith Huey. “As a fan of Baroque and Renaissance work, he pays a lot of attention to how the human form moves. No one compares.” Adds Natiya, “My aim is to create what I like to call ‘a speaking likeness,’ to pull out of my subjects emotional and spiritual aspects that make a piece come to life.”

Not surprisingly, the sculptor has been a strong and steady seller in the decade or so he has shown with Hueys, which spotlights his works every year at this time—as well as providing him with a studio space within the gallery, where visitors can watch Natiya at work every Friday, Saturday, and Monday. “Ed sells between 150 and 200 pieces of sculpture a year,” says Huey, “and half of those are sold just in August during Indian Market. That’s a lot of sculptures, and they go all over the world, including London, Dubai, Egypt, Canada, Germany, Italy, Australia, and all over the U.S.”

Visitors to the show at Hueys this month likely get first dibs on Natiya’s five latest sculptures, still in clay form and yet to be cast into bronze editions that range from just 25 to 50 pieces—an advantage that, for serious art collectors, is definitely not open to debate. 
—Norman Kolpas

Ed Natiya Wins Prize at Indian Market

[excerpt]

Albuquerque’s Ed Natiya, a 44-year-old Navajo artist who’s originally from Crownpoint, won the award for best sculpture with “The Red Men,” a highly detailed depiction of three Iroquois warriors coming ashore for battle.

Natiya said his metal sculpture of the Iroquois, who he said used some of the stealth techniques that special forces units still use today, is historically accurate.

“Part of the fun is doing all the research into how they would dress, what accouterments or weapons they would use, and to study those things in depth,” Natiya said.

Natiya spent about a year working on the sculpture, and although he’ll likely sell it by the end of the weekend, he said he’ll never forget the red men he spent so much time working on.

“It really is one of your children,” he said. “There are some pieces that have a special place in your heart, and this piece definitely has a special place.”

Top artists

Best in Class winners at the 2016 Santa Fe Indian Market are:

Benson Manygoats (Navajo) — Jewelry

Al Qoyawayma (Hopi) — Pottery

Jason Garcia (Santa Clara Pueblo) — Painting/Drawings/Graphics/Photography

Adrian Nasafotie (Hopi) — Pueblo Wooden Carvings

Ed Natiya (Navajo) — Sculpture

Berdina Charley (Navajo) — Textiles

Leonard Gene (Navajo) — Diverse Arts

Joyce & Juanita Growing Thunder Fogarty (Assiniboine/Sioux) — Beadwork/Quillwork

Kelly Church (Odawa-Ojibwe) — Basketry

Ed Natiya Bio

Navajo artist and sculptor, Ed Natiya Saxon, comes from a very proud and noble heritage.

His Navajo name, Natiya, was given to him at birth and means 'everywhere; all over; at once'.

A family name, it was passed down to him from his late grandfather, Harding Natiya Negale, who served as a Navajo Code Talker during WWII.

Ed Natiya's grandmother, Glenna Negale, was a medicine woman and a distinguished and honoredNavajo rug weaver.

His great grandfather, Manuelito Begay, was a well known medicine man and a tribal counselor for the Crown Point area in northwest New Mexico.

Natiya's great-great grandfather, Bullet Manuelito, was one of the last four chiefs of the Navajo before Kit Carson gathered his people for the historic 'Long Walk' to Fort Sumner, New Mexico.

Now, following in the footsteps of his rich and diverse legacy, Ed Natiya is fast becoming one of this countries leading Native American artists.

Described as a 'virtuoso' in painting, drawing and especially sculpture, Natiya has received numerous awards for his artwork not only in New Mexico, but also throughout the greater United States.

Born in 1972, Natiya's prodigiuos talent for art was recognized early on in his life.

From the time he was a small child, his mother, Mary 'Ah-so-bah' Saxon, who herself is an accomplished Navajo potter, taught Natiya the fine art craft of making and designing traditional southwest pottery and figurines.

It was through the use of these bask earthen materials that Natiya's love for art and sculpture first became manifest.

Throughout his schooling, teachers and administrators quickly recognized his inborn artistic talent and abilities.

They continued to help him develop his skills and even encouraged him to enter a few art competitions.

After winning several awards and with his confidence built, Natiya decided to continue his study of art and art history at the University of New Mexico wherein he received his 'Bachelor's Degree in Fine Art'.

Following graduation, Natiya began to pursue a career in art seriously.

However, as many artists can tell you, the road to success is not an easy one.

In order to support his growing family, Natiya worked for many years as manager of a local art supply store.

While at night, Natiya continued to hone his talent and skills to produce wonderful works of art.

Never having given up on his dream, his perseverance has been well rewarded.

Natiya's work has shown in and continues to show in numerous galleries, museums and universities throughout the United States.

He currently sculpts full-time and now lives in Albuquerque, New Mexico with his two adorable little girls, Ivory and Avonlee.Natiya's strong Navajo roots have kept him grounded as well as inspired within creation.

Natiya feels there is still much to be told about the wisdom of long ago and the genuine nature of native peoples.

Their wisdom and integrity, gratitude for life and their deep connection with nature are only a few of the teachings Natiya learned to value at a very young age.

These simple yet powerful truths communicate through his artwork and continue to this day to speak to the hearts of viewers young and old.

Natiya's sculptures radiate with life, love and beauty.

Through his divine use of clay and bronze casting, Ed Natiya is somehow able to capture the true essence of his people from a very genuine perspective.

He sculpts their stories and native wisdom as it once was, in hopes that these teachings and values may be remembered and appreciated for years to come.

Reference

Pickens Museum

Osage Warrior in the Enemy Camp by Sculptor John Free. Seeking to attain his tribe's highest war honor by touching his enemy. This action among indigenous peoples is called "Counting Coup".
Osage Warrior in the Enemy Camp by Sculptor John Free. “Osage Warrior in the Enemy Camp” is a bronze created by Osage Artist John Free. The bronze, eight feet high and twelve feet long) was enlarged to 1-1/4 life size through the efforts of John Free of the Bronze Horse foundry in Pawhuska and Hugh Pickens. Pictured (L-R): Hugh Pickens, Executive Director of Pickens Museum and Principal Chief Geoffrey Standing Bear of the Osage Nation.
Three Faces of the Pioneer Woman by Artist Daniel Pickens. “Three Faces of the Pioneer Woman” is a mural painted by fine artist Daniel Pickens. Daniel was born in Lima, Peru in 1974 and is currently living in Stockholm, Sweden. This mural is at our Ponca City location.
“"War Club" by Native American Artist Yatika Starr Fields was recently acquired from Garth Greenam Gallery to Pickens Museum. Personal and social struggle have long been integral to the artist’s practice. After joining the Water Protectors at the Dakota Access Pipeline in 2016, Fields increasingly centered the Indigenous history of hope and struggle in his work, particularly in his studio practice. In his 2017 series, Tent Metaphor Standing Rock, Field recovered tents after the infamous February 22, 2017 police raid on the protesters. The artist recombined the vivid tenting material—the mainstay of middle-class camping holidays that has become an icon of homelessness and protest movements—into traditional Indigenous patterns, anti-pipeline slogans, and into dynamic, compelling abstract compositions. As in his graffiti works, Fields blurs the line between abstraction and representation, creating stylistic compositions out of recognizable elements, and setting them against dynamic, swirling fields of color and twisting forms. The works blur the boundaries between political polemic and abstraction, between distress, resistance and hope.
Three Faces of the Pioneer Woman by Artist Daniel Pickens. Our mural "The Three Faces of the Pioneer Woman" is located in City Central at our Ponca City location.
Doctor Pickens Museum of Turquoise Jewelry and Art. Pickens Museum displays art works at NOC Tonkawa campus. Pictured (L-R): Dr. Cheryl Evans, NOC President, Hugh Pickens, Executive Director of Pickens Museum, and Sheri Snyder, NOC Vice President for Development and Community Relations. (photo by John Pickard/Northern Oklahoma College) This art is at our Tonkawa location
Native American Artist Yatika Starr Fields Completes Mural for Pickens Museum.
The World's Largest Naja. Future location of Pickens Museum on Route 60 and "U" Street West of Ponca City
Architectural Renderings of Pickens Museum.
Aerial View from East of Future location of Pickens Museum along Route 60 at "U" Street West of Ponca City
Display of Turquoise Jewelry.
Drum player by Allan Houser. This stone carving is part of the collection at Pickens Museum.
"Red Man" by Native American Artist Fritz Scholder. Pickens Museum Director Hugh Pickens on right.
Native American Jewelry Artist Tonya Rafael with a silver frame she created to honor my wife Sr. S.J. Pickens. My wife and Tonya worked together over the years creating new jewelry art pieces. My wife had an eye for color and would often design a spectacular piece and ask Tonya to execute it for her. A skilled silversmith, Tonya would sometimes stay in our guest house, set up a workshop, and work for days at a time on a Squash Blossom, Bolo, or Bracelet my wife commissioned. The piece is a silver picture frame that Tonya cut out of thick silver plate. Around the edge of the picture frame are 95 small turquoise stones. In the top is a large spiny oyster stone in the shape of a heart. The frame contains a photo that Tonya took of my wife a few years ago. Dr. Pickens is wearing one of her favorite outfits and if you look closely you can see a special squash blossom and necklace that Tonya created for my wife. In the bottom of the frame is an inscription.
Native American Artist Jolene Bird. Jolene Bird is an accomplished artist who learned her craft from her grandfather over 20 years ago. Jolene makes her jewelry in the tradition of the Santo Domingo Pueblo in New Mexico. This is a Fender Stratocaster guitar onto which Jolene has attached pieces of Kingman and Sonoran Turquoise highlighted with Jet. The stars are in Abalone, Mother of Pearl, Pipestone, Yellow Serpentine, and Spiny Oyster. The artistry in this piece is simply breathtaking and has to be seen to be believed. Consider that this is a three dimensional mosaic, a three dimensional jigsaw puzzle if you will. Jolene told me that each individual piece of turquoise had to be cut, shaped, and ground down to fit perfectly with the other pieces. Each individual piece probably took six to eight hours to produce and there are literally hundreds of pieces covering the guitar.
American Indian by Paul Manship This piece at Pickens Museum is the only known existing copy of this sculpture.
Painting by Peruvian Artist Josue Sanchez. Photo Credit: Hugh Pickens Pickens Museum

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