John Free, Jr.

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Ossage Warrior in the Enemy Camp. John Free, Jr. created the monumental version of his father's "Osage Warrior in the Enemy Camp." Here is left to right Hugh Pickens, Executive Director of Pickens Museum, Principal Chief Geoffrey Standing Bear of the Osage, and John Free, Jr. owner and operator of the Bronze Horse Foundry in Pawhuska. This is the first sculpture by John Dale Free that has been enlarged to monumental size.
John Free, Jr. Speaks at Opening of John D. Free Tribute at Woolaroc Museum.

John Free's Bronze Horse completes 1st project since fire


Posted Jul 10, 2013 at 11:29 AM

When the building housing the Bronze Horse Foundry was gutted by fire on December 12, 2012, John Free, Jr. moved his family-owned business to the Pawhuska Armory.

Seven months later, the Bronze Horse is ready to ship its first piece from the new location – a replica of renowned sculptor Kelly Haney’s “The Guardian.”

According to Cindy Free, most castings take about six months without a mold and four months with a mold.

“We already had some of the pieces already thru the mold process,” said Free. “Most of it was ready to cast before the fire.”

Free explained a lot of their bigger molds were kept in a separate building which escaped fire damage.

The Armory appears to be working well for the Bronze Horse. Although it is very spacious, Free said they are evaluating the need to upgrade lighting in the main auditorium as well as solutions to reducing sound issues.

“The noise from grinding and pounding echoes throughout the large area,” said Free. “Although our workers wear ear plugs, we are exploring various sound-proofing options.”

Two air conditioned rooms in the back of the building serve as an office and wax work area. Currently, there are no immediate plans to rebuild the Bronze Horse.

“Once we get back on track, will reevaluate rebuilding — very costly,” Free said.

The Guardian sculpture adorns the top of the Oklahoma Capitol dome and was created by internationally-recognized artist and former Principle Chief of the Seminole Nation Enoch Kelly Haney.

The Bronze Horse’s commission is being shipped to Norman. It is one of several seven-foot replicas on display at various businesses and college campuses throughout the state. Kelly currently resides in Norman and works full-time as a sculptor.

For more information about The Guardian, visit or call 405-627-0122.

John Free, Jr. Runs the Bronze Horse Foundry that his father started in 1980

His art was forged with fire and now fire has stolen his studio, taking with it many unfinished pieces, waiting to be brought to life. The Bronze Horse is where artists take clay sculptures to be molded and cast into bronze. It's an unassuming shop along Highway 99, just south of Pawhuska, and it works on pieces that end up all over the world. "It's very unique, especially, people can drive up and down this road and never know what we do out here," said John Free, Jr.

Free runs the family business his father started in 1980. He said seeing it reduced to ashes isn't easy. "You see some of that history go up and it kind of touches in a way that you're not sure how you feel," Free said. "You think about everything that's gone into it and names and people." Though thick with soot, sculptures already cast in bronze can be saved. But bronzes begin as clay and wax and about 12 moldings were destroyed. "It's clay, but it's clay that somebody's taken a lot of time and sculpted and put together and spent months on," Free said.

Only a few are salvageable. One clay piece was part of a 10-foot sculpture for the Chickasaw Nation, made by famed Oklahoma artist Kelly Haney. The craftsmanship of a foundry is an ancient process that Free said dates back 5,000 years.

News On 6 visited the Bronze Horse Foundry back in 2004 At that time, the shop was set to start casting "The American," a Native American sculpture, larger than the statue of liberty. Though it's been on hold for quite some time, Free said plans are in motion once again. Free, who seems to be as strong as the sculptures he creates, said he's ready for tomorrow and ready to rebuild. "We've got a lot of people that depend on us and we want to try to get back to business and doing what we do," Free said. Until he can rebuild, Free said he hopes to find a makeshift shop, so he can continue to work.

John Free, Jr. Speaks at Opening of John D. Free Tribute at Woolaroc Museum

By Roseanne McKee

On the evening of Oct. 14, at Woolaroc Museum outside Bartlesville, Okla., family and relatives of the Western sculptor and painter, the late John D. Free, gathered. Among those in attendance were sons of the artist: John, Mark and Matt Free, the artist’s sister, Delores Theis, her husband, Raymond Theis, and their son, Chris Theis.

His son, John Free spoke at the Tribute first. “Dad was born in Pawhuska in Osage County. His grandmother was a full-blood Osage. He was very proud of that heritage and that part of his life. “Probably the most important thing that happened to him was that he grew up on his grandfather’s ranch. That boyhood growing up on the ranch, of course he didn’t know at the time, would be the focus of his whole life from then on. He learned about horses and being a cowboy and about cows. He learned from his grandfather about being an old rancher was at that time. That was so special to him … and a tremendous influence and it shaped his art career probably in a way no one ever imagined. “He was always drawing and modeling as a little boy. He was always drawing horses, and cow and cowboys; he said he did this for as long as he could remember. “Early in his career he’d go to small shows in this area.”

Free shared that at these shows, his father encountered artists who encouraged him to believe that his career could grow. “You’ve got to remember back in the late 50’s, early 60’s, he was making a living from the art business. “The most important thing that happened at that time – he did a one-man show at the Gilcrease Museum and a man named Thomas Lewis approached him and asked if he would be in his gallery at Taos, New Mexico. “Lewis was a great artist and a great gallery man and he took dad under his wing. He taught him about painting. And the most important thing he did was to give him clay and said see what you can do with this. Dad returned with one of the first sculptures that was cast into bronze. It was a cowboy, I think, roping a wolf. Thomas Lewis sold that piece and that was the beginning of a relationship between a gallery owner and an artist.

And from then on dad’s career grew. “He was in galleries in New York City, Carmel, California, all throughout the Southwest. He stayed busy doing things that he never dreamed that he could stay busy at and make a living. “He was named a member of the National Academy of Western Art at the Cowboy Hall of Fame, the Cowboy Artists of America, and also the Free West, which was the old Academy of Western Art. He was always proud that he was a member of these organizations. “At this time, he was travelling a lot.

The art business allowed him to do something else he was happy to do and that was to fly. He was able to buy a plane and fly to these places. That was something he’d always wanted to do and this allowed him to do that. He was a pilot and his son, John Free flew with him and loved it too, he said. “He flew a 175 all across the United States,” John Free said. “In 1980 he partnered with his brother-in-law, Ed Bivens, and they opened the Bronze Horse Art Gallery, which is still operating today [in Pawhuska]. Our family has worked for more than 100 artists and we produce thousands of sculptures that have gone all the way across the United States and around the world. He was always proud of that – that through these endeavors he was able to open a foundry and see a lot of artists’ careers start from that foundry and grow. We’ve been doing it for over 30 years. It’s hard to believe.

“Dad said he was always fortunate to make a living doing something he loved so much. And if he didn’t do it making a living, it would be his hobby. “When asked about his favorite piece, he’d say, ‘the one that just sold and went out the door.’ “He said he looked forward to being able to continue to press his ideas, impressions and beliefs through the language of sculpting and painting in a simple and traditional manner. “He always did a lot of research and he read a lot, which gave him ideas for pieces. And he also liked telling the stories to his grandkids about things he learned about. “And probably last, but not least, the greatest influence in his art career was probably his wife, Rhema, without her, he probably would not have had a career. As an artist, taking care of business is not what you do. And mom was his partner, accountant, bookkeeper, scheduler, travel agent, the buffer between him and the rest of the world. And she did it very well.

“He’d have been very humbled by this tribute, and the people that appreciate his work, so on behalf of the family — thank you very much.” Next, the artist’s nephew, Chris Theis, spoke at the Tribute. “My uncle John, you may have known him as John D. Free, Western artist, but I just knew him as Uncle John and he was my hero and still is today. Uncle John was an influencer. When you around, when you look at these pieces and you look around at yourself and these pieces, you see influence. You see somebody that really was a time machine in a man because he takes you to a place you’ve never been before. He takes you to a place America was. In his sculptures, “He had a gift from God to put action and motion within stillness.”

Chris Theis spoke of his uncle’s encouragement to be creative by giving him molding clay when he was a child. Although he did not take up sculpting, Theis found his place as the Creative Director for T.D. Jakes Ministries. “It’s also generational because my son is a graphic artist [for Fox Sports] and a lot of what I do is directing other artists…The show I direct is called ‘The Potters Touch’ and currently we’re redesigning the graphics package,” Theis said. “I’m very glad to be a small part of his legacy and as I said, he’s always been my hero.”

During the reception, a friends of the artist, August and wife, Ginny Hague, shared that there would be a knock at his back door and John Free would open the screen door and hand Ginny Hague, a scroll and say ‘here’s something for you.’ “Ginny would just unroll it and it would be a pencil sketch. He gave us more than one, but this one was special because he wrote on it, ‘To a Special Friend,’” August Hague said. August and Ginny Hague recalled a special week they had spent with the artist and other friends when a group of them brought their campers to Pine Bluff to do some work on a church together. “We had a real good time. John and I built a cross and he even made the nails,” August Hague said. Ginny Hague said she videotaped the raising of the cross and many tears were shed as the group sang ‘The Old Rugged Cross.’ “We came back home and we all said ‘we need to do that again,’ but we never did. It’s sad, but we never did,” August Hague said wistfully.

The John D. Free Tribute at Woolaroc Museum continues through Dec. 31. The exhibit, includes some sculptures for purchase.


About Pickens Museum

Osage Warrior in the Enemy Camp by Sculptor John Free. Seeking to attain his tribe's highest war honor by touching his enemy. This action among indigenous peoples is called "Counting Coup".
Osage Warrior in the Enemy Camp by Sculptor John Free. “Osage Warrior in the Enemy Camp” is a bronze created by Osage Artist John Free. The bronze, eight feet high and twelve feet long) was enlarged to 1-1/4 life size through the efforts of John Free of the Bronze Horse foundry in Pawhuska and Hugh Pickens. Pictured (L-R): Hugh Pickens, Executive Director of Pickens Museum and Principal Chief Geoffrey Standing Bear of the Osage Nation.
Three Faces of the Pioneer Woman by Artist Daniel Pickens. “Three Faces of the Pioneer Woman” is a mural painted by fine artist Daniel Pickens. Daniel was born in Lima, Peru in 1974 and is currently living in Stockholm, Sweden. This mural is at our Ponca City location.
“"War Club" by Native Artist Yatika Starr Fields was recently acquired from Garth Greenam Gallery to Pickens Museum. Personal and social struggle have long been integral to the artist’s practice. After joining the Water Protectors at the Dakota Access Pipeline in 2016, Fields increasingly centered the Indigenous history of hope and struggle in his work, particularly in his studio practice. In his 2017 series, Tent Metaphor Standing Rock, Field recovered tents after the infamous February 22, 2017 police raid on the protesters. The artist recombined the vivid tenting material—the mainstay of middle-class camping holidays that has become an icon of homelessness and protest movements—into traditional Indigenous patterns, anti-pipeline slogans, and into dynamic, compelling abstract compositions. As in his graffiti works, Fields blurs the line between abstraction and representation, creating stylistic compositions out of recognizable elements, and setting them against dynamic, swirling fields of color and twisting forms. The works blur the boundaries between political polemic and abstraction, between distress, resistance and hope.
Three Faces of the Pioneer Woman by Artist Daniel Pickens. Our mural "The Three Faces of the Pioneer Woman" is located in City Central at our Ponca City location.
Doctor Pickens Museum of Turquoise Jewelry and Art. Pickens Museum displays art works at NOC Tonkawa campus. Pictured (L-R): Dr. Cheryl Evans, NOC President, Hugh Pickens, Executive Director of Pickens Museum, and Sheri Snyder, NOC Vice President for Development and Community Relations. (photo by John Pickard/Northern Oklahoma College) This art is at our Tonkawa location
Native American Artist Yatika Starr Fields Completes Mural for Pickens Museum.
The World's Largest Naja. Future location of Pickens Museum on Route 60 and "U" Street West of Ponca City
Architectural Renderings of Pickens Museum.
Aerial View from East of Future location of Pickens Museum along Route 60 at "U" Street West of Ponca City
Display of Turquoise Jewelry.
Drum player by Allan Houser. This stone carving is part of the collection at Pickens Museum.
"Red Man" by Native American Artist Fritz Scholder. Pickens Museum Director Hugh Pickens on right.
Osage Warrior in the Enemy Camp.
Native American Jewelry Artist Tonya Rafael with a silver frame she created to honor my wife Sr. S.J. Pickens. My wife and Tonya worked together over the years creating new jewelry art pieces. My wife had an eye for color and would often design a spectacular piece and ask Tonya to execute it for her. A skilled silversmith, Tonya would sometimes stay in our guest house, set up a workshop, and work for days at a time on a Squash Blossom, Bolo, or Bracelet my wife commissioned. The piece is a silver picture frame that Tonya cut out of thick silver plate. Around the edge of the picture frame are 95 small turquoise stones. In the top is a large spiny oyster stone in the shape of a heart. The frame contains a photo that Tonya took of my wife a few years ago. Dr. Pickens is wearing one of her favorite outfits and if you look closely you can see a special squash blossom and necklace that Tonya created for my wife. In the bottom of the frame is an inscription.
Native American Artist Jolene Bird. Jolene Bird is an accomplished artist who learned her craft from her grandfather over 20 years ago. Jolene makes her jewelry in the tradition of the Santo Domingo Pueblo in New Mexico. This is a Fender Stratocaster guitar onto which Jolene has attached pieces of Kingman and Sonoran Turquoise highlighted with Jet. The stars are in Abalone, Mother of Pearl, Pipestone, Yellow Serpentine, and Spiny Oyster. The artistry in this piece is simply breathtaking and has to be seen to be believed. Consider that this is a three dimensional mosaic, a three dimensional jigsaw puzzle if you will. Jolene told me that each individual piece of turquoise had to be cut, shaped, and ground down to fit perfectly with the other pieces. Each individual piece probably took six to eight hours to produce and there are literally hundreds of pieces covering the guitar.
American Indian by Paul Manship This piece at Pickens Museum is the only known existing copy of this sculpture.
Painting by Peruvian Artist Josue Sanchez. Photo Credit: Hugh Pickens Pickens Museum

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