Pickens Museum/NOC Mural Dedication Set for June 16th

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Native American Artist Yatika Starr Fields Completes Mural for Pickens Museum.

A mural by Yatika Starr Fields in the Northern Oklahoma College Cultural Engagement Center will be dedicated Wednesday, June 16 in the NOC Vineyard Library/Administration Building.

NOC Mural Dedication Set for June 16th

Mike Seals - June 8, 2021 9:42 am

A Yatika Starr Fields mural in the Northern Oklahoma College Cultural Engagement Center will be dedicated Wednesday, June 16 in the NOC Vineyard Library/Administration Building.

The come and go reception is scheduled for 3:30 p.m. – 5 p.m. with brief remarks at 4 p.m. It is open to the public.

The mural was completed as a partnership with the Pickens Museum of Art and NOC.

Work began begin on the 20 x 50 feet mural May 3 and took two weeks to complete.

The mural is a result of a collaboration between Pickens Museum and NOC.

“When Cheryl Evans said they were looking for an artist to paint a mural for the engagement center, I immediately recommended Yatika,” says Hugh Pickens, Executive Director of Pickens Museum adding that Pickens Museum already has ten paintings by Fields in its permanent collection. “Yatika was delighted to have the opportunity to paint a mural that will inspire Native American students at NOC.”

“We are thrilled to partner with Hugh Pickens and the Doctor Pickens Museum,” said NOC president Cheryl Evans. “This mural will complete the fourth phase of the project and will enhance the Cultural Engagement Center. We are grateful for friends such as the Pickens who continue to support our College.”

Fields is a nationally known painter and muralist. While attending the Art Institute of Boston from 2000 to 2004, he became interested in Graffiti aesthetics, which has been integral to his knowledge and process along with Landscape painting- and continues to influence his large- scale projects and studio works. Fields is from Oklahoma and currently living and working in Tulsa in conjunction with the Tulsa Artist Fellowship. Fields has spent the last decade on the East Coast, New York City and most recently Seattle where the energy of urban life inspires and feeds the creative force in his artwork. He seeks to influence his viewers to rethink and reshape their relationships to the world around them.

The Cultural Engagement Center (CEC), adjacent to the Tonkawa Vineyard Library, was created through the federally funded U.S. Department of Education Native American Serving Non-Tribal Institution (NASNTI) grant.

The CEC opened in 2017 and includes contem­porary learning spaces where students, faculty, and/or tribal leaders can meet; individual study or collaborative projects can be conducted; cul­ture-based learning activities and community/cultural events can be provided; professional development can be held; and small group or individual tutoring can occur.

Northern Oklahoma College, the state’s first public community college, is a multi-campus, land-grant institution that provides high quality, accessible, and affordable educational opportunities and services which create life-changing experiences and develop students as effective learners and leaders within their communities in a connected, ever changing world.

About Pickens Museum

Osage Warrior in the Enemy Camp by Sculptor John Free. Seeking to attain his tribe's highest war honor by touching his enemy. This action among indigenous peoples is called "Counting Coup".
Osage Warrior in the Enemy Camp by Sculptor John Free. “Osage Warrior in the Enemy Camp” is a bronze created by Osage Artist John Free. The bronze, eight feet high and twelve feet long) was enlarged to 1-1/4 life size through the efforts of John Free of the Bronze Horse foundry in Pawhuska and Hugh Pickens. Pictured (L-R): Hugh Pickens, Executive Director of Pickens Museum and Principal Chief Geoffrey Standing Bear of the Osage Nation.
Three Faces of the Pioneer Woman by Artist Daniel Pickens. “Three Faces of the Pioneer Woman” is a mural painted by fine artist Daniel Pickens. Daniel was born in Lima, Peru in 1974 and is currently living in Stockholm, Sweden. This mural is at our Ponca City location.
“"War Club" by Native American Artist Yatika Starr Fields was recently acquired from Garth Greenam Gallery to Pickens Museum. Personal and social struggle have long been integral to the artist’s practice. After joining the Water Protectors at the Dakota Access Pipeline in 2016, Fields increasingly centered the Indigenous history of hope and struggle in his work, particularly in his studio practice. In his 2017 series, Tent Metaphor Standing Rock, Field recovered tents after the infamous February 22, 2017 police raid on the protesters. The artist recombined the vivid tenting material—the mainstay of middle-class camping holidays that has become an icon of homelessness and protest movements—into traditional Indigenous patterns, anti-pipeline slogans, and into dynamic, compelling abstract compositions. As in his graffiti works, Fields blurs the line between abstraction and representation, creating stylistic compositions out of recognizable elements, and setting them against dynamic, swirling fields of color and twisting forms. The works blur the boundaries between political polemic and abstraction, between distress, resistance and hope.
Three Faces of the Pioneer Woman by Artist Daniel Pickens. Our mural "The Three Faces of the Pioneer Woman" is located in City Central at our Ponca City location.
Doctor Pickens Museum of Turquoise Jewelry and Art. Pickens Museum displays art works at NOC Tonkawa campus. Pictured (L-R): Dr. Cheryl Evans, NOC President, Hugh Pickens, Executive Director of Pickens Museum, and Sheri Snyder, NOC Vice President for Development and Community Relations. (photo by John Pickard/Northern Oklahoma College) This art is at our Tonkawa location
Native American Artist Yatika Starr Fields Completes Mural for Pickens Museum.
The World's Largest Naja. Future location of Pickens Museum on Route 60 and "U" Street West of Ponca City
Architectural Renderings of Pickens Museum.
Aerial View from East of Future location of Pickens Museum along Route 60 at "U" Street West of Ponca City
Display of Turquoise Jewelry.
Drum player by Allan Houser. This stone carving is part of the collection at Pickens Museum.
"Red Man" by Native American Artist Fritz Scholder. Pickens Museum Director Hugh Pickens on right.
Osage Warior in the Enemy Camp.
Native American Jewelry Artist Tonya Rafael with a silver frame she created to honor my wife Sr. S.J. Pickens. My wife and Tonya worked together over the years creating new jewelry art pieces. My wife had an eye for color and would often design a spectacular piece and ask Tonya to execute it for her. A skilled silversmith, Tonya would sometimes stay in our guest house, set up a workshop, and work for days at a time on a Squash Blossom, Bolo, or Bracelet my wife commissioned. The piece is a silver picture frame that Tonya cut out of thick silver plate. Around the edge of the picture frame are 95 small turquoise stones. In the top is a large spiny oyster stone in the shape of a heart. The frame contains a photo that Tonya took of my wife a few years ago. Dr. Pickens is wearing one of her favorite outfits and if you look closely you can see a special squash blossom and necklace that Tonya created for my wife. In the bottom of the frame is an inscription.
Native American Artist Jolene Bird. Jolene Bird is an accomplished artist who learned her craft from her grandfather over 20 years ago. Jolene makes her jewelry in the tradition of the Santo Domingo Pueblo in New Mexico. This is a Fender Stratocaster guitar onto which Jolene has attached pieces of Kingman and Sonoran Turquoise highlighted with Jet. The stars are in Abalone, Mother of Pearl, Pipestone, Yellow Serpentine, and Spiny Oyster. The artistry in this piece is simply breathtaking and has to be seen to be believed. Consider that this is a three dimensional mosaic, a three dimensional jigsaw puzzle if you will. Jolene told me that each individual piece of turquoise had to be cut, shaped, and ground down to fit perfectly with the other pieces. Each individual piece probably took six to eight hours to produce and there are literally hundreds of pieces covering the guitar.
American Indian by Paul Manship This piece at Pickens Museum is the only known existing copy of this sculpture.
Painting by Peruvian Artist Josue Sanchez. Photo Credit: Hugh Pickens Pickens Museum

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